AD: Deepwood Art Lampwork

Hi everybody!

Not a whole lot going on this week. I moved the "not- solds" from last week over to the auction block, and I only have one new set on the Available Now page of the website. It's a pretty one, though... I love, love, LOVE that tangerine color that tries to pass itself off as coral these days.

Anyway, the links are in my sig, have a look when you get the chance!

Oh, and congrats to Ms. Su/Cutworks... the winner of the Freebie Deluxe drawing last week!!! That was fun, thanks to all who entered! I'm looking forward to doing it again next month!

Hugs!

Fran ~ on eBay:

formatting link
~ on the web:
formatting link

Reply to
Deepwood Art
Loading thread data ...

Marmalade and honey! Those are gorgeous, love the colors.

Reply to
Margie

*huge giggling and silly smiles*

I've been on air all day after reading the email telling me I'd won!

I feel so lucky to add some of Fran's beads to my growing stash.

-Su

Reply to
Su/Cutworks

Marmalade and honey, yes, that's exactly it!!

And thank you, Margie! :)

Reply to
Deepwood Art

Thank you, Su, that's so sweet! :)

They're on their way as of noon today (Monday)!

Reply to
Deepwood Art

You rock, Fran - that Rose Rio is luscious!!

Reply to
Kandice Seeber

That's such gorgeous stuff, Fran!

I've got a question for all the lampworkers here. Is it really hard to make smaller beads? Is it easier to make bigger ones (up to a point)?

Because I find it difficult to find smaller beads. Everyone on eBay (except Joan Eckard) seems to make beads that range from roughly 12mm to 25mm -- lots of lampworkers specialize in focals, in fact. I prefer smaller beads, and I seldom find them, comparatively speaking. So I buy far less lampwork than I might otherwise. ~~ Sooz

Reply to
Dr. Sooz

I prefer to work with smaller lampwork too. I'm such a girly girl! When I have a yen for smaller art glass I bid on Julie of "Fergiebeads" and Carolyn Driver's "minis" auctions.

Reply to
Margie

That's good to know, because I was always under the impression that people liked the bigger stuff better. It is harder to get fine detail work on smaller beads - the smaller you work, the less space you have, the more finely detailed you have to be. But I love making the little ones - it's a challenge! Hmmmmmmmm I am on the torch now....maybe I will make some small ones!

Reply to
Kandice Seeber

This is an interesting topic to me. I used to like to make really little beads. I've grown to like to make larger beads. I suppose mine could be considered small focals but I sell them in sets because that's how I like to use them in bracelets. But anyway....I found when I made bigger beads and sold them in sets that I was able to get more money for them. Of course, my designs are different now too, so maybe it's not size at all.

Some buyers/customers feel like they're getting more of their money's worth....a perception thing, when in reality, like Kandice said, it's more difficult to work on a smaller bead and should therefore be more expensive!

I remember when I used to make Abundance Boxes and I met with a store owner to sell to them. They told me it would be hard for them to justify selling something that little (3" square) to someone for $30. I guess they didn't listen or look at the fact that they were hand painted and detailed.

I do think there is a market for everything though...people have different preferences.

Reply to
Lori Greenberg

I try to be sure to read the size! 8 to 20 mm is the range I generally use, and 20 mm is really pushing it. The large sizes just won't lay in a good flow.

Tina

Reply to
Christina Peterson

THANK you!!

Ooh, good question!! Personally, I don't think making smaller beads is any more difficult than making larger beads, it's just different... at least in my experience.

A few weeks ago I made a couple of sets like the ones I used to make a year or so ago, lots of dots and lines, more traditional shapes and designs. While I was working on them I thought nothing of it, but after I strung them up and took a good look at them, it hit me just how tiny these beads were compared to the ones I make now. Not that my beads are these huge honkin' things, but they are definitely larger than my beads from a year ago.

I have no idea how it happened, or why, but I suddenly started focusing more on shape than on surface design (in the classic lampworking sense). As it turns out, this fun- with-shapes thing just happened to work better with a larger bead. Now I'm hooked!

I think I'm suddenly inspired to try a regular, shape- intensive set, but in mini size! :)

Thanks for bringing this up, Sooz!

Reply to
Deepwood Art

OOOOOOOOOOOOOH! I can't wait to see it! Eeeeeeeeeeeeeeeeeeeeeeee

Pure desperation on my part -- I'm frustrated. I yearned to buy some lampwork this week, during my mom's stay here. I needed an indulgence. But I couldn't find any that weren't rather large (of the pretty ones I liked) in the time I had to search around on eBay etc.

I want some small, pretty ones, not *too* plain. I'm not unreasonable -- I won't be whining for endless details on tiny beads. But....but......I know I won't use the biggies, I do mostly bracelets! And I like to add lampwork to my beadweaving most of ALL. So big hulking beads are a waste of money -- they'll just sit in a drawer. I love 'em, but I want to be realistic/practical, you know? ~~ Sooz

Reply to
Dr. Sooz

I think those spiny beads you do would look so lovely as really tiny beads. They're wonderful as is of course, but for some reason things in miniature really send me. :)

Reply to
Kandice Seeber

I mean it, I really admire your work. I can't wait to see it in person.

*setting up puptent by gate to wait for the postman*

-Su

Reply to
Su/Cutworks

Me too. I love them when they're small and bumpy. I'm not as much for raised florals but I do like bumps. I'm lucky to have a variety of beads for someone just starting out collecting them but the ones I keep coming back to usually have some surface texture. It's that tactile experience, how beads can be so smooth and cool and still have texture that I like.

-Su

Reply to
Su/Cutworks

I can make small base beads, but they're a different challenge to decorate. I have trouble doing my favorite raked designs because I tend to overheat and lose the shape. I'm messing around with enamels on small beads (there's a pink & purple set on Ebay right now) and I like the way they look, but more ornate styles frustrate me because the canvas is just too darned small.

Joan Eckard is the Goddess of small beads, IMO.

KarenK

Reply to
Karen_AZ

You bet there is and thank goodness for that. While *I* personally prefer to work with smaller beads, I do not limit myself in that way. Also love big focals as long as they lay nice when strung up.

Reply to
Margie

Ugh, frustrating indeed! A few weeks ago I was looking for a couple of bangles, I was SO ready to go shopping! But the sites I check for such things continue to have a big ole' SOLD label on every bangle I liked! Maybe I'm just fussy, but how long does a piece need to stay up with a sold label on it before it can be replaced with new stuff? I find that highly irritating. Lol

One, two or three of the biggies do look pretty darn cool in a bracelet, bangle or choker, though! :)

But yes, I understand perfectly what you mean. I tend to like the chunkier stuff. But I really don't see a larger bead fitting in with the daintier, more delicate pieces.

Reply to
Deepwood Art

Well I still seem to be a small bead maker. I seem to lose control of the shape once the bead starts getting big :) I do know that the smaller ones are harder to get intricate detail on.

I also prefer smaller beads myself.

Kathy K

Reply to
KDK

InspirePoint website is not affiliated with any of the manufacturers or service providers discussed here. All logos and trade names are the property of their respective owners.