Reclaiming clay - how-to?

Well, then, here's the link to my young students' work -

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The projects from the spring session disappeared so fast that I didn't get a chance to take shots of those.

The first project is always either a dug-out box or patchwork bowl. This allows them to become familiar with the clay.

Some of the other projects we tackle are:

Soft-slab cylinders Hard-slab boxes Pinch pots, bowls and enclosed forms Wind chimes Simple sculptures Paddled pillow boxes

We do a lot of texturing. The patchwork bowls are nothing more than highly textured slabs that are randomly torn apart (not cut, but torn) and laid into a form (I use wooden bowls) then the inside smoothed over and the "seams" sealed with a rubber rib, and feet added.

Colored slips and stains for resist patterns are really fun - I encourage them to bring leaves or paper cut-outs to use. Roll the leaves/cut-outs lightly into the slabs and 'paint' over with colored slip then pull up whatever they used to resist it and slump it into a form and add feet when it's firm enough to do so.

I give them the basics - we make specific projects but WHAT they choose to do with what I've given them is up to them. For instance, a dug-out box doesn't have to be square - this last session I had a volcano, a wedge of cheese, a rhino with a bird on it's back, a lady-bug, a pyramid, a set of kopechi dolls, a turtle - children are simply amazing!

Elizabeth's box was a nice surprise - I hadn't shown them how to make lids for their boxes - she figured it out on her own then added the sprigs using a Sculpey push mold for all the faces.

We all enjoy ourselves and learn from each other. There's no greater joy than when they come in early, go to the cupboard to get their tool buckets and dive right in.

For the returning students, I ask them for a list of projects they want to accomplish and provide the assistance when they run into a problem.

As for the glazing, they do all that themselves. That's when they finally understand the ninth commandment in the document we have posted all over the studio:

The Ten Commandments for Potters

  1. Thou shalt NOT make dust.

  1. Thou shalt NOT pick up greenware by the lip, handle or other fragile area.

  2. Thou shalt NOT touch projects that do not belong to thee.

  1. Thou shalt put all supplies back WHERE THEY BELONG AND CLEAN THE AREA (Refer to #1) before departing.

  2. Thou shalt let stain dry thoroughly before glazing.

  1. Thou shalt practice on the wheel at least once a week for more than

10 minutes.

  1. Thou shalt CARVE THY INITIALS OR MARK in the bottom of thy projects.

  2. Thou shalt place glazed ware in kiln room on the proper shelf.

  1. Thou shalt believe thy teacher that the silly pink glaze or stain on thy pot will fire blue.

  2. Thou shalt trust thy teacher.

Hope this helps!

Take care,

Lori

Reply to
Lori
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Lori, I clicked on your link and got an error message. I am very interested in seeing your work with kids..I just got done teaching a group of kids (44 of them) from one of the "I have a dream Program" projects. Luckily I had a few adult helpers because 44 is a lot of kids, even in 24 kid groups. I'll send you some of our photos

Reply to
Stephanie Coleman

Are you still going to post pictures of your stamps?

thanks!

Reply to
Stephanie Coleman

Do you charge for your workshops? May I be so brazen as to ask how much? I am doing some as a volunteer for a group in town, but have requests from more well heeled groups to do some small workshops too.

thanks

Reply to
Stephanie Coleman

Try this one Stephanie - I don't know why it didn't work the first time. Gremlins, I suppose.......

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Yes, there is a charge for the class - it's part of our Community Education program at the community college. We try to keep the fees low to accommodate the area residents - it's not a well-healed area - $65 for an 8-week class, one night a week for 2 hours each night, ages

8-12, class limit is 8 (but, I've been known to overload the class by a few.....). They're guaranteed 5 completed projects, but most of them will take home a few more than that. :o)

The fee sounds a little low - I admit that. When we first started researching similar classes, the range was from $79-$159 at other area colleges for the same offering. Because we're still in the rebuilding stage of our Community Education program (we lost that director several years ago, and have finally convinced the "powers that be" that we need it back), we decided to keep the fee on the low side for now.

I'll be offering a 2-week-end children's workshop for a group of 12 home-schooled students later this year. I haven't really come to grips with the cost structure on that one yet, though. It will focus on digging, preparing and pit-firing native clay. A local farmer friend has a field laying fallow that has a very large clay deposit, and has agreed to let us 'mine' it. The only real cost will be my time.

I can certainly let you the particulars when we get things firmed up a bit.

Loved your face jug pictures, by the way! Especially the huge smiles on the kids - that's what it's about, isn't it?

Take care,

Lori

Reply to
Lori

Marianne,

Sorry to take so long in responding; I've been at the Potters Festival in Wales(UK)

In article , Bubbles writes

The Vinegar promotes the growth of organic matter in the clay, which in turn grows and dies and decomposes, this adds to the plasticity of the clay and makes it wonderful to work with. The Old traditional Potters used to pee on their clay heap to promote the same effect. I prefer the smell of Cider! I add a small cupful to a 15 Litre (plus) bucket.

This is true, but I stick a bowl or bucket under it to catch the drips

Steve

Reply to
Steve Mills

I will love to here more about your pit firing and mining experience. I live in Georgia, so we are up to our ears in red clay...not too plastic but it could be an interesting experience!

Thanks for the workshop info.

Reply to
Stephanie Coleman

Tell us about the Potters Festival in Wales(UK), please!

Reply to
Stephanie Coleman

Yes, do tell - I presume you mean this

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?... oh and I guess you know that there's a ceramics fair at Tredegar House, Newport, South Wales, UK, this weekend.
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Stephanie Coleman wrote:

Reply to
barefoot ceramics limited

Yes I will - I just have to figure out how to do it in a reasonable way. Seeing all the stamps themselves is way to much to take in at once and you can't see what they do really since they are the negative and are in general meant to be used in multiples... I guess I'll just take a picture of a sample and then do a demo slab with an assortment. It has been busy but I will get to it soon. Again, they are nothing special and it is the ones the appear the most boring that end up making the nicest overall look. Donna

Reply to
dkat

It was a blast. I've never worked so hard in all my life.

Actually the last bit's a lie; I have, but I'm older than the last time!

This is the URL:

have a good old prowl 'round, it's worth it.

It's much more *Hands on* than NCECA, and all on the one site, with demo's, Kiln building (I was doing that, there were 9 of them, but only one was mine!), Lectures, Slide shows, very variable weather, good food, and 3 bars.

Yours still smelling of wood smoke Steve Bath UK

In article , Stephanie Coleman writes

Reply to
Steve Mills

In article , barefoot ceramics limited writes

Yes I did, but I'm going to have to pass on that one this year (damn, damn, damn, damn, damn!)

Steve Bath UK

Reply to
Steve Mills

Wish I was there instead of here! HEhe! Are you going to post a report?

Okay - I get the reasoning. Sounds like a good idea. Can I use any kind of vinegar, white wine, pure, red wine, ....... hmmmmmm - balsamico clay! Hehe!

Marianne

Reply to
Bubbles

In article , Bubbles writes

Will do this week coming, busy weekend at the moment

Reply to
Steve Mills

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