got a wonderful holiday prezzie

Kate, if you don't yet have this you neeeeeeeeeed it!

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've only read 4 chapters and I've been doing a LOT of "Oh - THAT's how that works" - the women's stuff is kind of eh, but the men's stuff has a lot of data from the stuff found on the Mary Rose. VERY cool!

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zski
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I got a pile of book tokens from me auntie Joan for me burfdy the other dasy, so ordered that one and The Medieval Tailor's Assistant: Making Common Garments 1200-1500 by Sarah Thursfield to go with it. :) Had to order from Waterstones rather than the original companies, but there you go...

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Kate XXXXXX

Kate XXXXXX skrev:

You wouldn't by any chance care to post a book review of this? Pretty please? :-)

Erin

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Erin

As a historical overview it's nifty - especially in the area of shirts and men's clothing. It incorporates some new data from items found on the Mary Rose and a from wills in Essex that mentioned items of clothing. The info on women's garments is a little less comprehensive - the authors admit that there is a fair amount of guesswork involved as there are very few surviving examples and portraits are of limited use. The chapter on materials is esepcially fascinating, and includes a table of fabric definitions and an extremely useful photo of the range of colors available from natural dyes of the period.

As a guide to the sewist, it's a bit less user-friendly. There are gridded patterns and instructions, but no in-progress photos or drawings. A fairly high level of sewing skill is assumed. A line of patterns is now available separately, but for some of the garments there are easier-to-follow instructions available elsewhere online - Drea Leed's website for example.

In short - if someone is enough of a costume geek to already own and love either Janet Arnolds "Patterns of Fashion" and/or Jean Hunnisett's "Theatrical Costume for Stage and Screen", they will adore this book. (I spent a fair amount of time going "ooh - THAT's how that works!") If someone is a little less experienced with historical clothing, this book is equally likely to prove inspiring or intimidating.

I am personally finding it helpful in rooting out some of the lingering assumptions of renaissance-faire costuming that I have been sewing for

20 years. While I may still make and wear separate bodices and skirts with full-sleeved chemises with drawstring necklines, I will now freely admit that they are not likely to be historically accurate and can tell people what kinds of garments are more likely to be.

------------------------------------------------------ Wendy Z Chicago, IL (Moo) Wench Wear Costumes

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"Though she be but little, she is fierce""It's the little ones you have to watch out for...""I'm not short - I'm concentrated"--------------------------------------------------------

Reply to
zski

I will when I get them. :)

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Kate XXXXXX

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