Tips for stitched felt brooches I wish I'd known sooner

Oct 25, 2026 Last reply: 9 hours ago 5 Replies
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Been making little embroidered bird brooches for a few years now and thought I'd share what actually makes the difference between a floppy mess and something you'd proudly pin on a coat. First big one: use two layers of felt even before you add the backing. A single layer distorts badly once you start dense stitching, and your bird ends up looking like it melted. Sketch the design on the felt with a water soluble pen, not pencil, becasue pencil never comes off felt properly.



For the shading on something like a pigeon's neck, don't try to blend threads like paint. Just pick three or four close shades and let them sit side by side in short stitches. The iridescent look comes from a shiny thread in green and purple worked in tiny random patches, not from anything fancy. Beads around the edge are the easy part but people rush them. Anchor every single bead with its own stitch, then run a second thread back thru the whole line to straighten them. Otherwise you get gaps.



Last thing, and this took me ages to figure out. Do the blanket stitch backing before you trim the shape. Stitch through both layers following your drawn line, then cut close to the beads afterwards. Cutting first means you're always fighting frayed edges.


I made a little wren brooch last winter and learned the felt lesson the hard way. I only used one layer and the whole thing warped so badly around the wing that I had to pick out almost two evenings of stitching. Now I cut two layers and even run a thin line of glue stick between them before I start, which stops them shifting around while I work. My take on the shading is a bit different though. I found that if my short stitches all run the same direction, the side by side colours can look stripey on something small. On the wren's back I angled the stitches to follow the feather direction and it blended the shades better without any actual mixing.

I do the cutting first instead of stitching first, which is the opposite order to what worked for you, but I trace the shape onto a stiff piece of card and cut around that as a template. Then I hold it against the felt and cut just inside the line. I have not had fraying issues, though I use wool felt which behaves better than the cheap acrylic stuff I started out with. The acrylic ones did fuzz up on the edges no matter what I did.

The bead trick with the second pass back through the line is something I will definately steal for the robin I am planning next.

Nice little pigeon. One thing I'd add from way back, when I was doing brooches for the church bazaar in the 80s, water soluble pens didn't exist for us, we traced the pattern through dressmaker's carbon paper. Still my go to on dark felt where those purple pens vanish into the wool and you can't see a thing. Also, if the neck shading ever fights you, try couching a single metallic thread across the green patches instead of stitching it. Sits flatter on something that small and gives that oily sheen without the thread twisting on you every three stitches.

One thing I would add about finishing these is the pin back itself, because placement matters more than people expect. I sew mine on through both felt layers rather than gluing, and I position it slightly above the centre of gravity so the brooch does not tip forward once it is on fabric. A heavy bead edge will drag the bottom down otherwise and the whole thing hangs at an angle. I also stitch a small square of ultrasuede over the back first to hide the anchoring knots, which looks tidier than bare felt and stops the stitches catching on a coat lining. Has anyone tried a bar pin instead of the round backs? I keep wondering if it sits flatter.

I've done a couple of these as gifts and the eye always trips me up. A tiny french knot works way better than a straight stitch, it sits proud of the fabric so the bird actually looks alive instead of flat. Also don't skip the hoop just because the felt's small, I tried holding a finch one in my hand and the tension went all wonky halfway through the chest.

What thread are you using for the shiny neck bits? I've only tried it with standard cotton and the sparkle never really shows up.

Update: tried the french knot eye on the pigeon and it made a bigger difference than I expected, the little thing finally looks awake. Glue stick between the felt layers is going in my routine too. Still fighting the blanket stitch edge though, mine always looks lumpy on curves like the head. Does anyone work the stitch tighter on tight bends or is that just how it goes?

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