My ESPC adventures.... for what they are worth.

Hello everyone, my name is TJ I'm fairly new to embroidery? just started doing it within the past year (i come from a graphic design background). I love it, and I have going a bit crazy digitizing everything i can get my hands on. I embroider non-traditional designs from old woodcuts to the front page of the NYT (turned out pretty cool by the way).

I am not in the business of selling my embroidery designs?rather?i give them away (i make my living as a print designer).

I am also an intellectual property lawyer who works pro bono for arts related non- profits and for individual artists who may not otherwise be able to afford a lawyer to look over their contracts.

I have had a policy for the last 10 years of providing the 'source files' from my graphic design work for free to those who might want to use them in their own works. You only live once, and its fun to see something you started used again and again in surprising and interesting new ways.

Since starting machine embroidery, I do the same thing with my designs and alphabets i create. I didn't think that anyone would mind... in fact, i get emails from people i have never heard form thanking me for making them available. Most of the designs i see that are being sold are pretty predictable and a bit too cute for my taste?well crafted? but not really to my taste. I figured there were loads of people like me who wanted to embroider less traditional motifs. So i started creating some for "us."

well, that is until "some ESPC members" who make a living creating embroidery designs found out what i was doing... (keep in mind I didn't even have a website with free designs on it-- they just spread from one person to the next).

Evidently the ESPC or ESPC members do not feel that my offering of source files is beneficial to their businesses.. Rather then compete by creating a better product (like something other then snowmen and holly hobby picking daisies) , they have decided to try and bully me. and to accuse me of 'stealing their designs.' (actually we used some of the same source material that is in the public domain)

For example: when I scanned and redrew an alphabet (from Dover royalty free) and then created a nice embroidery alphabet from it and GIVE it away... that cuts into the business of ... oh lets say Overpriced Embroidery-R-Us's bottom line when they too scanned the same alphabet from Dover and made (in my opinion) a far inferior and soppy version of the same images (and charged $45 bucks to boot).

Thats when I started getting letters from the ESPC. I wrote them three times 'begging' them to please sue me already. There is nothing i would like better then to present my well crafted designs and place them next to their member's sloppy hack jobs to prove that mine are in fact original and do not in any way violate the copyright act--and then collect my lawyer's inflated fees from them for the pleasure.

This has been an interesting education for me. I love this craft! Everyone has been wonderful and so accepting of me since i started. I could not have learned as much as i did as quickly as I did without the support of the machine embroidery community? (even when they think my designs are a bit 'out-there').

I thank you for not laughing when i realized that "notions" was not a brand name for thread...

Funniest thing just started happening... at night, my fax machine sometimes malfunctions and continually dials the ESPC's 1-800 number.... over and over and over and over... (its 1-888-921-5732 by the way)

cheers!

TJ

website with new (free) designs will up by the end of summer...

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Reply to
TJ ODonnell
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TJ ODonnell wrote: ...

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Interesting that they should pick on your alphabets. Letters of the alphabet are one of the only kind of design that can NOT be protected by copyright in the United States. Names of alphabets/fonts/designs can be trademarked, and computer implementations such as actual font files, specific sets of nodes, and stitch files can be protected.

The rationale in the US is that the alphabet itself is open, and specific designs that represent it are merely interpretations.

Here is an abstract from the AIGA Journal of Graphic Design, 1997

"By law, type designers in the U.S. cannot protect their work by copyright. Currently, copyright law is meant to protect the expression of a creative idea; it does not cover any object or design that is intrinsically utilitarian, which the Copyright Office considers type fonts to be. The Copyright Office will, however, protect the software as a literary work that creates the font. The Copyright Office still requires that no claim be made for the actual design of the font."

DISCLAIMER: I AM NOT A LAWYER - copyright or otherwise!

- Herb

Reply to
Herb

Oh ya- i know! its funny- no they are accusing me of using their "designs" (i digitize from the same sources)....

I find it interesting especially when so many of the ESPC members use commercial typefaces to create their embroidery typefaces (technically that is illegal in the US). In fact, someone on this board (will remain nameless) has her faces promos on this board and they are taken from truetype fonts- commercial - I can tell she did not draw each of those letters herself- (BYB that is also technically a violation of the font's licensing agreement). but to each there own ---

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Reply to
TJ ODonnell

...snipped... ~ ~I find it interesting especially when so many of the ESPC members use ~commercial typefaces to create their embroidery typefaces (technically ~that is illegal in the US). In fact, someone on this board (will remain ~nameless) has her faces promos on this board and they are taken from ~truetype fonts- commercial - I can tell she did not draw each of those ~letters herself- (BYB that is also technically a violation of the font's ~licensing agreement). but to each there own ---

So how do you know which fonts are commercial typefaces and why are they copywrited when other fonts cannot be?

Reply to
Sew Savvy

ALL fonts can be copyright protected, regardless of whether they're commercial or free. Many free fonts are created whose copyright notice states that the author has waived all protection rights, or has maintained a limited subset of those rights, such as restricting sale or commercial use, but allowing copying and restribution.

BTW - the word is copyright, not -write. It's the right to copy.

First of all, just about everything is subject to copyright protection, including your email message and this response. Letters of the alphabet are unique in that the US courts and copyright office have determined that the shapes of the letters - designs - of the alphabet cannot be copyrighted, because they are utilitarian and common and different designs are just variations on an already established, public domain concept. Shapes that are NOT alphabetical CAN be copyright protected; this includes photographs, cartoons, works of art etc. There are many gray areas. Is a font consisting of Mickey Mouse in various poses representing letters of the alphabet an infringement of Disney's copyright or a free expression of the alphabet? Who knows!

Now back to your question. The IMPLEMENTATION of a design can be copyrighted; That is, the actual outlines and their determining node points, the font file itself, and any software internal to the font can be protected. If you were to decide to look at a copyright-protected commercial font, draw it by hand, scan your drawing, and make a font or embroidery design from it, you have not violated the copyright, since the © applies to the implementation, not the design. (Don't name it the same either - font NAMES can be trademarked and copyrighted, and some DESIGNS have been PATENTED. It's complicated)

In the European Union, however, it's a totally different story. Alphabet DESIGNS CAN be copyright protected, so it's not legal to create your own version if it looks the same. Another gray area - at what point does something stop looking the same ...

- Herb

Reply to
Herb

On Mon, 11 Jun 2007 16:35:51 GMT, Herb typed:

~Sew Savvy wrote: ~ ~> On Wed, 06 Jun 2007 18:57:45 -0400, TJ ODonnell ~> typed: ~> ~> ...snipped... ~ ~I find it interesting especially when so many of ~> the ESPC members use ~commercial typefaces to create their ~> embroidery typefaces (technically ~that is illegal in the US). In ~> fact, someone on this board (will remain ~nameless) has her faces ~> promos on this board and they are taken from ~truetype fonts- ~> commercial - I can tell she did not draw each of those ~letters ~> herself- (BYB that is also technically a violation of the font's ~> ~licensing agreement). but to each there own --- ~> ~> So how do you know which fonts are commercial typefaces and why are ~> they copywrited when other fonts cannot be? ~ ~ALL fonts can be copyright protected, regardless of whether they're ~commercial or free. Many free fonts are created whose copyright notice ~states that the author has waived all protection rights, or has ~maintained a limited subset of those rights, such as restricting sale ~or commercial use, but allowing copying and restribution. ~ ~ ~BTW - the word is copyright, not -write. It's the right to copy. ~ ~First of all, just about everything is subject to copyright ~protection, including your email message and this response. Letters of ~the alphabet are unique in that the US courts and copyright office ~have determined that the shapes of the letters - designs - of the ~alphabet cannot be copyrighted, because they are utilitarian and ~common and different designs are just variations on an already ~established, public domain concept. Shapes that are NOT alphabetical ~CAN be copyright protected; this includes photographs, cartoons, works ~of art etc. There are many gray areas. Is a font consisting of Mickey ~Mouse in various poses representing letters of the alphabet an ~infringement of Disney's copyright or a free expression of the ~alphabet? Who knows! ~ ~Now back to your question. The IMPLEMENTATION of a design can be ~copyrighted; That is, the actual outlines and their determining node ~points, the font file itself, and any software internal to the font ~can be protected. If you were to decide to look at a ~copyright-protected commercial font, draw it by hand, scan your ~drawing, and make a font or embroidery design from it, you have not ~violated the copyright, since the © applies to the implementation, not ~the design. (Don't name it the same either - font NAMES can be ~trademarked and copyrighted, and some DESIGNS have been PATENTED. It's ~complicated) ~ ~In the European Union, however, it's a totally different story. ~Alphabet DESIGNS CAN be copyright protected, so it's not legal to ~create your own version if it looks the same. Another gray area - at ~what point does something stop looking the same ... ~ ~ - Herb

Thank you for your detailed response Herb, it's all clear now. At least as clear as you can get when looking at gray. Yes, copyRIGHT (forgot to slow down the brain to keep speed with the typing fingers).

I was considering digitizing some fonts, but was concerned about some of them being copyrighted.

Reply to
Sew Savvy

clear as you can get

speed with the

being copyrighted.

That should be no problem. Just remember not to name them the same. Some foundries, like Linotype, guard their trademarked names such as Helvetica zealously. It's not really important whether they'd win their cases or not, but they make things VERY difficult for anyone who produces a font named, for example, Smellvetica. It's OK to have a note somewhere saying that this is based on whatever, or similar to, or took inspiration from, etc.

Reply to
Herb

the design of the face is not copy protected, the CODE in the truetype , postscript or opentype font IS. SO.. if you use a commercial typeface you are breaking the license of the manufacturer (programmer) of that face. Does that make sense?

If you drew the face (say in illustrator or by hand thats fine-- letters are not protected by copyright.

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Reply to
TJ ODonnell

Not to me; it's no more violating the license than is using a commercial font to print text on paper, or using it directly (without creating an intermediate design) with an embroidery program that interprets the fonts.

You are not doing anything with the code that's outside of the normal use of the font. You're neither copying the code nor even copying the points that make up the outline. Your embroidery program is, in effect doing exactly what you would be doing manually if you chose to copy the letters by hand.

To put in another way ... I can open Artista to create a design, and add text using Helvetica. Do you see any problem with that? And if the design is only text? Still no problem? And if the text consists of only one letter? By your interpretation, the last would be illegal but the others legal. Now let's take it one step further - that text design I created, which we all agree (I think) is OK - break it up into its component letters ... oh well, you see where I'm going.

And since neither of us are copyright attorneys, it's all probably moot - except that in your position, I'd be equally leery of doing anything at all questionable unless I was prepared to take the time and money needed to take things to court.

- Herb

Reply to
Herb

On Tue, 12 Jun 2007 03:30:11 GMT, Herb typed:

~TJ ODonnell wrote: ~ ~> the design of the face is not copy protected, the CODE in the truetype , ~> postscript or opentype font IS. SO.. if you use a commercial typeface ~> you are breaking the license of the manufacturer (programmer) of that ~> face. Does that make sense? ~ ~Not to me; it's no more violating the license than is using a ~commercial font to print text on paper, or using it directly (without ~creating an intermediate design) with an embroidery program that ~interprets the fonts. ~ ~You are not doing anything with the code that's outside of the normal ~use of the font. You're neither copying the code nor even copying the ~points that make up the outline. Your embroidery program is, in effect ~doing exactly what you would be doing manually if you chose to copy ~the letters by hand. ~ ~> If you drew the face (say in illustrator or by hand) thats fine-- letters ~> are not protected by copyright. ~ ~To put in another way ... I can open Artista to create a design, and ~add text using Helvetica. Do you see any problem with that? And if the ~design is only text? Still no problem? And if the text consists of ~only one letter? By your interpretation, the last would be illegal ~but the others legal. Now let's take it one step further - that text ~design I created, which we all agree (I think) is OK - break it up ~into its component letters ... oh well, you see where I'm going. ~ ~And since neither of us are copyright attorneys, it's all probably ~moot - except that in your position, I'd be equally leery of doing ~anything at all questionable unless I was prepared to take the time ~and money needed to take things to court. ~ ~ - Herb

I'm not a legal expert either. But let me see if I understand this... as long as you did not use the font with malice and did your due diligence in determining that the font was not a TM, would that not suffice? (Did I get the wording right TJ?) We are also not talking about selling a CD of TTF's for sale. So if we use a font as a basis to "digitize" an alphabet or a series of words/phrases and then offer the digitized designs for sale, we are not in violation. Right?

Reply to
Sew Savvy

as you did not

font was not a TM,

TM? Whatever it is, there should be absolutely no need to analyze the font's legal status at all.

talking about

an alphabet or a

not in violation.

That's my take on it.

If you look at the library of alphabets offered by such stalwarts as Embroidery Library, Keepsakes Embroidery, A.B.C. embroidery fonts, and all the others, just about ALL of their plain alphabets are simple digitizations of other people's copyrighted fonts.

- Herb

Reply to
Herb

...snipped ~ ~TM? Whatever it is, there should be absolutely no need to analyze the ~font's legal status at all.

TM=Trade Mark. Like Coca-Cola. I believe they have the font and the word trade-marked. An exception to the rule perhaps? I think you can use the font but not if you use it to spell out the words "Coca-Cola".

~ ~> would that not suffice? (Did I get the wording right TJ?) We are also not talking about ~> selling a CD of TTF's for sale. So if we use a font as a basis to "digitize" an alphabet or a ~> series of words/phrases and then offer the digitized designs for sale, we are not in violation. ~> Right? ~ ~That's my take on it. ~ ~If you look at the library of alphabets offered by such stalwarts as ~Embroidery Library, Keepsakes Embroidery, A.B.C. embroidery fonts, and ~all the others, just about ALL of their plain alphabets are simple ~digitizations of other people's copyrighted fonts. ~ ~ - Herb

Thanks, you've been helpful.

Reply to
Sew Savvy

use it to spell

Yes, Logos are a different story entirely. There is no Coca-Cola font. The company has been lax in enforcing its copyright, so a number of pseudo-fonts have been created, such as "Loki-Cola".

A particularly loathsome example of enforcement had to do with a font based on "Buffy the Vampire Slayer", where Fox gave the author of the font "Buffy" a VERY hard time.

- Herb

Reply to
Herb

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