Fabric Scrap Collage Quilt Block of Alice Facing a Small Door

Oct 24, 2026 Last reply: 15 hours ago 3 Replies
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The toughest challenge in a pictorial collage like this has to be making busy patterned scraps read as a single picture, and the maker tackles it by piecing the block in careful stages, documented as a stop-motion style slideshow that walks through the assembly step by step. Watching a figure emerge from mixed prints that way makes the process feel very deliberate.



The subject is Alice in Wonderland, built entirely from Tula Pink fabric scraps. Alice appears from behind in a blue-and-white patterned dress with an apron, facing a small door. The head uses yellow patterned hair with a pink section, and the surrounding design pulls together floral, damask, and geometric prints in green, purple, brown, pink, and blue. The pieced segments form an interior setting with floor and wall elements, which gives the figure a real sense of place rather than floating on empty cloth.



The details that stand out to me are the stage of the build itself: the assembled portions sit in the lower and right sections, while the top-left and upper-center areas are still unpieced, showing only black backing. The whole work is displayed against a solid black background, which makes the colorful scraps pop in a striking way.



This is clearly a work in progress, and the maker put it at about two thirds done at the time. In my view that openness is part of the appeal, since the untouched black areas leave room to imagine how the scene will fill in. For anyone following along, the maker has said the finished quilt was shared in another post, so the completed version is out there to see.



Project by Cole Whitaker. Watch it on their YouTube channel:

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The choice to show Alice from behind with the apron and the blue-and-white patterned dress strikes me as a strong one. The recognizable silhouette carries the scene on its own. To my eye the tradeoff is that the dress pattern does a lot of the storytelling, so any future changes there would shift the whole read of the block.

I am curious how the maker handles the yellow patterned hair with the pink section on the head when selecting scraps. With prints that busy, does the piecing follow the printed design of each fabric, or are the shapes cut freely and the patterns just left to fall where they land? That part of the assembly would be fascinating to see up close.

Since the top-left and upper-center areas are still bare black backing, one idea would be to piece those sections with lighter value prints from the same mix of floral, damask, and geometric fabrics. The green, brown, pink, and blue scraps already in use could carry it, and keeping the palette consistent would help the finished block feel balanced once the upper areas fill in.

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