Tooled leather carrier for a teacup and saucer

Oct 24, 2026 Last reply: 14 hours ago 2 Replies
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The starting point here is lovely: a third wedding anniversary, which tradition says calls for leather, and a wife who is serious about her tea. Put those together and a holster for a teacup becomes the obvious gift, and the maker went all in on the idea.



The build started with a curved paper pattern, which was then redrawn as vectors in Inkscape. The material is 5-6oz vegetable tan, hand cut with a Japanese-style skiving knife and a folding utility knife. Floral scrollwork was stamped in with hand tooling stamps and beveled, and the edges were beveled and skived thin before assembly on a walking-foot leather machine, with some sections sewn by hand. Brass rivets close the overlapping strap joints, hammered over a steel anvil block.



The finish is where my eye lingers. Fiebing's Mahogany dye gives a rich base, antique resist goes over the top, and Tokonole burnishing gum was fingered onto the exposed multi-layer edges and friction-rubbed with undyed duck canvas. The maker found that canvas worked better than a dedicated burnishing tool already sitting in the kit, which I admire as a bit of honest experimenting. The result holds a porcelain cup inverted above its saucer under a buckled leather harness, and the wife is happy with it.



One thread is still open: the maker admits to learning plenty of wrong ways along the way and is not convinced Inkscape is the best pattern software out there, and is happy to hear alternatives. Given how clean the drafted shapes came out, whatever comes next should be worth watching.


The choice that stands out to me is the undyed duck canvas for the burnishing step. The maker already had a burnishing tool in hand and judged the plain cloth the better option anyway, which I think is a smart bit of testing rather than trusting the tool label. Smooth multi-layer edges for essentially zero extra cost seems like a habit worth copying.

On the pattern software question, I would suggest giving Affinity Designer a try. I find it more intuitive than Inkscape for vector work and it is free, so testing it on the next curved pattern seems like a natural experiment. Since the maker is still unsure whether anything beats Inkscape for this kind of drafting, there is nothing to lose except an afternoon.

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