In my process of trying to test out the wild clay I spoke about earlier, I have built a small test kiln. It has changed shape several times in two days, but the basic premise is a two inch cube of furnace space surrounded by firebrick, heated by a propane torch. It quickly reaches an undetermined but fairly hot condition.
I say undetermined because I don't have any experience working with a kiln, previously I have simply hired someone to fire my pieces. Here are my test results, maybe someone can tell me about how hot it's been getting and maybe how I can improve it.
Commercial clay fires completely. Comes out with a ringing sound and breaks like a tea cup. My wild clay comes out changed in color, but brittle and granular with a tendency to dissolve in water.
(On a side note, I did get a small portion of the wild clay to turn to glass, (after washing, sifting and grinding) but it contracted into beads both by itself and as a glaze. Either I am using it wrong or it is dirt.)
Unfortunately, it will be days/weeks until I get out to the ceramics supply in Rutland, so I don't have cones or a selection of glazes to work with... but maybe there are more tests I can run? Common substances with known properties?
Also, my most recent design is simply a cube with a torch in one corner and a chimney on top. My thought was to have the flame circle the walls in hopes of transferring a significant portion of its heat before escaping up the draft. The result is that all visible walls get red hot before the test object does. I could rearrange things to have the flame play right on the object, but am I correct in thinking that indirect heating is preferable? I have made a piece of clay in a shape to more smoothly redirect the flame around the first corner but it is far from ready to put to the fire...
Not a pressing question because I think I really will be getting a real kiln fairly soon, but I will appreciate any input.
TIA, Bill