Shirtmaking

Shirtmaking was mentioned the other night. IMO, a dress shirt might be one of the most demanding garments for a home sewist to make, and I haven't attempted one. But I have made DH many printed shirts, and at least a couple dozen camp shirts for myself, copied from a favorite purchased shirt that I wore absolutely threadbare and then cut up to draw off a pattern.

Working on yet another camp shirt last night, I ticked off in my mind the steps that are necessary for *me* to get a presentable collar and collar stand--I think this is the most crucial part of making a good looking shirt.

  1. Before fusing to the collar and collar stand, cut away the interfacing at the collar points and at the front corner where the stand attaches to the shirt. Bulk is your enemy.

  1. In stitching the collar pieces together, about a half inch on either side of the points, gradually increase the seam allowance by a couple of thread widths. This will help negate the natural tendency of the points to spread when the seam allowances are enclosed in the turned collar.

  2. After stitching the two collar pieces together and trimming the points carefully, and before turning the collar right side out, press the seams open, all the way to the points. You really need a point presser to do a good job of this; if you sew a lot, it's an investment you won't regret.

  1. When edgestitching, or any other time I want my stitching to look really nice, I always use my straight stitch presser foot and single hole needle plate, rather than a multipurpose foot and the wide hole needle plate. It really does make a difference.

  2. Thread a fine needle and slip it through the very tip of the first collar point you'll come to when edgestitching. Stitch to the point, pivot, and hold the thread ends from behind the presser foot as you continue stitching, giving a slight tug if necessary to keep the point from jamming. After you clear the point, pull the thread through and repeat for the other collar point as you come to it.

  1. I attach the collar stand facing to the wrong side of the shirt neckline, then topstitch the free, turned edge of the interfaced stand over the seam. When appropriate for the fabric, steam and a clapper are very helpful in compressing the bulk at the front edge.

  2. Edgestitch carefully and slowwwwwwwwwly. An extra five minutes spent on this step is nothing when compared to the many hours the garment will be worn.

Last night's result:

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in Alabama

Reply to
Doreen
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A case of doing it slowly and getting it right being quicker than racing through and having to correct errors...

Lovely job, Doreen! :)

Reply to
Kate Dicey

Thanks for the tips. I've found that top stitching makes a huge difference when I make the V neck tops I like to wear. I kinda go "top stitch crazy" and often top stitch 3 or 4 rows to make it really stand out. Barbara in SC

Reply to
Bobbie Sews More

Dear Doreen,

I'm very fussy about shirt finishing, too. But I do the collar very differently to get a perfect finish. I attach the stand to the collar after topstitching the collar, by making a sandwich of the collar between the two stand pieces. I then open out the self facing down the front, and sew the end seam of the stand facing to the fold, and the rest of the front self facing to the stand facing. A bit awkward, but the fold transition from stand to front is always smooth and perfect. I have seen the stand poke over the front, even in a catalog cover I just received from Nancy's Notions. I hate that.

Teri

Reply to
gjones2938

I'd add to your list: a properly drafted pattern, with separate under and upper collars, not "cut two on fold".

Reply to
Kay Lancaster

I'll second that and collar stands as well. Also, under and top cuffs shouldn't be the same size. By cutting different and stretching to match when combining will build in natural curvatures.

JPBill

Reply to
WB

Thanks, Kate!

Doreen in Alabama

Reply to
Doreen

Barbara,

I agree, topstitching can be very decorative. And at least one row is useful these days, when we don't just automatically iron everything that's laundered.

Doreen in Alabama

Reply to
Doreen

Teri,

Thanks for the interesting method. I'll give it a try...I can see where it could be especially useful when using heavier fabrics.

With a narrow stand, can you accomplish both steps (attaching it) in one pass, or do you break your stitching at the stand seam and start again?

You'd think Nancy's would do better! I noticed that too.

Doreen in Alabama

Reply to
Doreen

Kay,

DH's patterns have separate upper and under collars. With my homemade camp shirt pattern, I do cut the collars together (not on the fold, though), but do some strategic trimming before sewing them together. Same difference. :)

Doreen in Alabama

Reply to
Doreen

Dear Doreen,

I sew the outer stand, starting with the bit on the front facing, all the way across. I then fold in the bottom of the facing, with the tiniest of over hangs, and topstitch through all layers, starting at a point under the center back collar, so that there are no "loose ends" showing anywhere. (Note: When I'm stitching anything where I have to turn a corner, I never start at a corner--I find a place that won't be obvious.)

Teri

Reply to
gjones2938

Sometimes I'll thread the machine as if using a double needle, but put both threads through the eye of a single needle.

Joy Beeson

Reply to
Joy Beeson

Reply to
Bobbie Sews More

Great thread, I'm saving this. Thanks all, Gives me hope of improving my skills. Kitty

Reply to
Kitty In Somerset, PA

But, imho, it's easier to trim a paper pattern down correctly and use it as the second piece, rather than cut a wiggly piece of fabric down accurately. Ditto for stands and cuffs (though I think the original question was just about collars.) I'm also crazy enough that I cut full pattern pieces, not "cut on fold"

If you'd like to do a dress shirt sometime, see if your library has the Islander Sewing Systems tape or dvd called Shirts. Some really good methods for producing a very nice shirt without wanting to wad the whole thing up and hide it in the back of the drawer, or toss the sewing machine from a third floor window.

Kay

Reply to
Kay Lancaster

I always thought of myself as a perfectionist, but I can see I've worn things others would have tossed in a back corner cause I thought it was the best I could do. Now I know better I may never wear anything I make again. LOL or maybe I'll experience a new Level of Quality in my clothes. LOL

I always end up remaking store bought skirts and dresses, now I'll be remaking shirts as well. Kitty

Reply to
Kitty In Somerset, PA

I pin them together with the undercollar sticking out a little bit.

In addition to rolling the seams under, it makes grading the allowances easier.

Joy Beeson

Reply to
Joy Beeson

What I, in my official capacity as head nitpicker of the N3F Writers' Exchange, deem a *superb* description of collar assembly.

Twenty or thirty years ago, I made all of DH's sport shirts and never once used a fusible -- does fusing the interfacing to the collar actually *do* anything?

It might matter that all these shirts (except the cotton-print shirts I made in Hawaii) were made of permanent-press fabric with a lot of body, and whenever it was sufficiently opaque (and it nearly always was, when it had enough body for the permanent-press to work) I used the fashion fabric for interfacing.

Since topstitching on perma-press puckers, I assembled the shirts with french seams, and sewed the patch pockets on by hand. (Back stitches don't draw up in the wash the way machine stitches do.)

I was surprised at how easily a sleeve eases into a french seam. One would expect the first stitching, when you are enlarging the amount to be eased in and at the same time reducing the space you have to ease it into, to cause a lot of trouble.

Nowadays I sew only for myself, use only natural fibers, fell almost every seam, and do more hand finishing every year. I may end up hand-sewing seams! (I already hand-fell seams when I sew silk, since it's impossible to match thread to silk fabric & I have to do all the topstitching with ravelings.)

Joy Beeson

Reply to
Joy Beeson

Joy, thanks for the shirtmaking tips. I agree completely on forgeting fusibles in shirts.

If you're a fan of handstitching, below referenced is a highly entertaining article by Larissa MacFarquhar in the New Yorker on the Washington tailor (Georges de Paris) who has made the suits for all our presidents since 1976, when Brooks Bros. stopped making custom suits, and has even "cut cloth" for Tony Blair and other heads of state. I expect Tony would visit Savile Row for most of his, though.

The jackets of these $3500+ suits (depending on fabric) are done entirely by hand, with a machine being used only on the trousers, which are done by an assistant in his small shop.

New Yorker Magazine, Sept 27, 2004.

Some of the facts appear at this link, if you can't get the magazine locally:

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Reply to
WB

Teri,

Thanks for the additional info. That's the way I do the collar and stand topstitching, too.

(The reason my reply is so delayed is that we have been without telephone service and internet connection for almost 48 hours. Withdrawal pain, for sure!)

Doreen in Alabama

Reply to
Doreen

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