Starlia -- not to be contradicting Mary all the time, but please don't look to other people's beads for color combinations. If you like what they did, you will just end up making a sorry copy of someone else's work.
Go with what inspires you -- is it antiques? Then hit an antique shop, or go through the antique portion of Ebay. Remember a few years ago when everyone and their brother were copying the colors from art paintings? You will find both interesting styles (renaissance, art deco, victorian). How would you interpret renaissance in a bead? AND interesting colors, to finish the sentence from above, LOL. Start with what inspires you the most, and go to town.
Here are my two suggestions to get you started. It is about color and style:
Flow Blue -- as someone else suggested, ink blue, lighter blue and gilt. But think Flow Blue while you are making it (I am a total flow blue freak)
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I have no idea what a "putto" is (the cherubs?) but interpret Meissen china in beads. How would you do that? A trial of green foilage, clouds and faint flowers in the background, with the stronger colored decoration on top? The shape of the fuschia draping underneath the dark-haired putto? (LMAO at just saying "putto"), which resembles a Monty/Clark freeform, which you know I love? Porcelain colors with gold layering just over the ends? If you do anything along this line, please call it "blank blank blank with puttos" LMAO (you can fill in the blank blank blank part, I wasn't actually suggesting you use those precise words). I would love to see beads with puttos, especially since I am not sure what that means but I love the words. And one last suggest -- victorian lace. How would you do lace, in glass? Please note I am steering you towards ultrafeminine color combinations, which I love. But the colors may take you somewhere else. And, look for the design in the example -- to push yourself towards making new shapes.
I'm done now. Going back to my own antique inspirations.