Christmas Windows, Anyone?

You have a couple of options.

Invisible thread is an option -- but if you don't like using it... you can get the same effect by using matching colors of regular thread. The closer the match -- the more "invisible" it will be. You could do a small zigzag, a satin stitch, a buttonhole stitch or even a straight line sewing stitch right along the edges.

By using a matching "invisible" thread -- you will get a more "formal look".

If you like the country or "folk art" style -- use a contrasting color for buttonhole stitching. Get a more "stained glass" look, do a satin stitch in a black thread.

You might want to do a "sample" block -- not as intricate of a design... and try out a couple of different edging styles -- and see which you like best before tackling the entire quilt. You have too much invested to start something you don't like and once you start a style -- you'll probably not want to change it.

Have fun with it!

PS -- Brandywine Designs is Linda Hohag. She is a Minnesota Girl... I took a class from her to do my Dancing in the Moonlight "critters" quilt.

You can see it in my webshots album... Kathy's Quilts. She uses a "starch method" applique -- over plastic (non-melting) templates. Was a lot of work... but also a lot of fun!

Check out her other patterns... lots and lots of cute baby patterns, too!!

That is really darling Kate. You did a great job.

If you don't like invisible thread Joan then don't use that. I have been known to do a small satin stitch around some tiny pieces before. It is doable but really tedious. Will a small zz stitch hold the pieces down adequately? I am not a big fan of the straight stitching that is more a raw edge look but lots of it around these days. Anyway around that will be a wonderful quilt. Taria

Kate G. wrote:

To push Kate's suggestion a bit further, you may find your machine is happier doing one method or the other without a bunch of adjusting and fussing. That could help you to make your decision as well.

My vote would be for a nearly straight zig-zag along the edge with matching thread- since you don't care for invisible thread. If the edges of the applique are turned, I really like the look of a buttonhole stitch in a heavier black cotton thread, too.

I vote for the narrow zig zag in a matching color. With good fusing and this stitch, your stitches should be very secure and nearly invisibile.

And I think this is the way I'll at least begin to experiment. Of course, I've got 7 more blocks to go and I'm already bored witless by the little leaves. I can do it; I can do it; I can do it!

joan:>

Just keep remembering how beautiful it will be when you're finished!