Help with watercolor quilt

If this is a duplicate of my post from earlier this morning, just overlook the errors that naturally occur with folks my age.

I've just started putting fabric on my design board and I've got a problem. I guess I am just not free spirited enough.

After arranging about a fourth of my project area and stepping back to review, I discovered that I had put lots of pieces from the same fabric. The effect was pretty but it was more realistic than impressionistic. Both books I have on watercolor quilts really emphasize the mottled look.

It also looks like I am going to have a problem getting a smooth transition from the dark to light areas.

I would appreciate any hints and tips from your experience with watercolor or colorwash projects.

Jerry in North Alabama

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Reply to
MaleQuilter
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It's duplicate for me; but not to worry - some folk do not get all the messages! . In message , MaleQuilter writes

Reply to
Patti

Reply to
Estelle Gallagher

Instead of buying a reducing glass, you can go to the hardware store and buy one of those little peephole things like you would put in a door. It looks like this: . It works well and is probably less expensive. Or look through the view finder on a camera or the wrong end of binoculars.

Julia > Maybe looking at the wall/fabric squares with a reducing glass might help!

Reply to
Julia in MN

NOW you tell me Julia!! lol

Reply to
Estelle Gallagher

Try looking through a colour filter (a Ruby Beholder or sheet of red or green cellophane) to see the true colour values. Your eye will be dragged back to that one area you aren't sure about whether it is "wrong" or not and seeing the overall effect through a colour filter (like seeing it on B&W TV) will stop your eye going straight to that one fabric.

Reply to
CATS

The wrong end of my binoculars didn't show me anything , but I do use a peephole quite successfully. As you say, Julia, they're a lot less expensive than a reducing glass! :)

Reply to
Sandy

I presume this is in the books, but one tip I read, was first organise your fabric scraps into light medium and dark, then within each group, arrange again, so you have light-light, light=medium, light-dark and so on, I guess if you still have problems with value on that basis, you might have to split the groups down even further, but that grouping seems to work quite well for a nine patch on the boundaries.

Anne

Reply to
Anne Rogers

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