Gerald, I don't know how far down the road of woodturning you are, but this is pretty well reviewed subject. I would like to point out some of the highlights that have been mentioned here and on other venues to get to the status of "artist".
- You should die. If you die tragically and suddenly, this can really work in your favor (or in my case someone will have a lot of priceless wood for the smoker)
- If you are not ready to fully commit and die, an injury might do the trick as well. It is better if it isn't self inflicted, but in a pinch that might work, too. Make sure the injury is readily visible to all prospective clients and let them know you want no sympathy for it. They will think you are injured AND brave. Remember, removable casts and the like are easily detected, so don't skimp on your choice of damage
- Feign mental illness. This is not as effective as it might scare some off, but with some practice you can call it on and off as needed. Mild bouts could be OK as they could be viewed as eccentricity as long as you don't overplay your hand
- Let on that the medium of choice "spoke" to you. It sounds like an Eastern thing, but it has its place here in the US as well. I went to a demo once and the fellow turning wood said he never really started turning with any ideas in his head, but as he turned, the wood told him what to do. I was impressed as he put out some really neat stuff. At the break, I went up and asked the wood some questions, but it didn't want to talk to me. I think it must be important to get the right piece of wood for good conversation
- Affect a foreign accent. When people ask you a question, look down and speak slowly and with reverence about "the old ways they still practice in my country". If you can make your eyes water just a little when talking about that, it could be a bonus. Remember which accent you are going with, and never vary while in a show. It might be worthwhile to try different accents at different shows, tailoring "your country" to your audience as needed. (Remember, Canada is a "no go" on this as many have no accent at all.)
I guess the most important thing would be to not do too many of these things at once. I don't know how many folks would be willing to buy from a slightly crippled, deranged foreigner with a heavy accent that talks to wood stumps. It goes without saying that being dead would push that whole thing too far.
Good luck on your journey!
Hope to see you in the magazines soon!
Robert