I've quilted The Quilt From Hell. I've certainly made evil quilts, and quilts I have cursed and damned. Is that any help?
Satan will do nasty stuff to you anyway, it's his job. If you take my advice you'll just stay well out of that. Don't do any favours for the Mafia either. And don't drink the Kool Aid.
Use polyester fabric and stuff with high-loft batting. Slippery fabric and ravelly fabric like gold lame without stabilizers also work well for evil quilts. Don't measure anything and don't worry about the perfect
1/4-inch seam.
It'll be warm if you ever succeed. And I'm sure your vocabulary will be enlarged.
I think I just quilted that very quilt for a customer.
18" blocks of Sunbonnet Sue with tulips; each Sue is carrying a balloon. Cute so far, right? Now picture this: *every* fabric, except the muslin background, is either drapery fabric or upholstery fabric. The appliqué was buttonhole stitch, with the stitches about 3/8" apart, so every fabric is starting to fray. The sashing (also drapery and upholstery fabric) is hand sewn, with the piecer getting rather creative about how much fullness she could work in -- attaching about 22" of sashing to each 18" block.
QUESTION! Why would you take the job of quilting such a mess? Seriously -- if the work is not at least decent when it gets to you, what does it do to your reputation when the 'quilter' (and I use the term loosely), tells people that you did the quilting on it? Just curious. Gwen in S.E. PA
Oh no! It must match perfectly! Through every single shade and color change! On all Shapes! All quilting thread must match perfectly! you wouldn't want the quilting to actually show on such a quilt! So change that thread OFTEN! And use a dull needle while you're at it, and the smallest armed sewing machine possible. I suggest a Toy Genie.
The customer just wanted an all-over pattern, as she wanted to use the quilt which was pieced by her mother. I did leaves in all the open areas, outlined the appliqué both outside and inside the designs (to hold those edges down), and did a bit more quilting inside each appliqué just to avoid having big unquilted areas. The customer knew there would be pleats (some had already been sewn in by the piecer), so I wasn't too worried there.
I only do it when I'm confident that any quilter (or non-quilter) can easily look at it and see that the piecing (and fabric choices) were the problem, not the quilting. Believe me, I'm *not* shy about turning away quilts.
This particular customer knew that the quilt would only be done if after ironing it I felt that I could deal with the fraying and fullness issues to my satisfaction. (It's amazing what sewing down a tuck or two with matching thread can do).
-- Kathy A. (Woodland, CA) Queen of Fabric Tramps mailto: snipped-for-privacy@KayneyNOSPAMQuilting.com
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the obvious to reply
QUESTION! Why would you take the job of quilting such a mess? Seriously -- if the work is not at least decent when it gets to you, what does it do to your reputation when the 'quilter' (and I use the term loosely), tells people that you did the quilting on it? Just curious. Gwen in S.E. PA
I just quilted that very quilt for a customer.
mailto: snipped-for-privacy@KayneyNOSPAMQuilting.comhttp://fabrictramp.typepad.com/fabric_tramping/> remove the obvious to reply
"A girl can do what she wants to do and that's What I'm gonna do An' I don't give a damn ' bout my bad reputation" - Joan Jett, "Bad Reputation". One of my favorite songs from "Shrek"
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