My EGA chapter brought Laura Smith, a master craftsman in color design, here for a class. We worked on Lighthouse Moon designed to teach us about color contrast and values. Intellectually, I got what she was saying. However, using the threads in the kit to achieve most of the effects she was talking about was a real challenge. I more or less gave up in certain areas and used what I thought were pleasing combinations of colors which may or may not demonstrate the way the light hit the structures.
I had a lot of fun choosing the colors and shaping the cloud appliques near the moon and in the sky but my moon has a fuzzy edge. I forget her comment but Laura liked that. From not too far away, it can't be seen but I know it's there.
The model had what looked to me like a grey-purplish mat and a plain blkac frame. The mat picked up the not so bright night lighting and gave the piece what I think is a subdued look.
I'm 98% finished with the piece and learned a lot, mostly about myself, such as I don't 'see' shadows and light with an artist's eye. Working with single strands of 4 colors to produce foliage was nerve wracking but worth it. Layering different translucent (transparent??) organza and tulle rocks!!!
I'm now on a quest as I can't see my way clear to spending a lot of money to have the piece professionally framed. The stitched area is approximately 6 x 8" which rules out off the shelf mats so I'm going to hit some/many/all of the hobby stores and a few of the framing stores to see what it might cost to have a mat cut that would fit a ready made frame. I also plan to go to my favorite fabric store. If I can find the right fabric, I'll cut my own mat and the fabric will laid on top and hopefully hide my unprofessional edges.