I don't know if I'll make it by the challenge deadline; I think it's supposed to be the first of may; but I'm making steady progress:
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Some parts are better than others. I think the face is perfect; although I might re-highlight her right cheek with a paler fabric. The ghosted sunflower in the dark brown looks good. The fingers are impossible; I'm hoping they show up ok once the edges are all needle- turned to the background. I used a greener water color once I got going; I need to replace those blue snippets sewn to the edges of her body.
And my Mom? She *still* can't see it. Says it looks like a dog with floppy ears. Oh well.
susan kraterfield see my quilts: members.cox.net/kratersge
That's amazing. Is there a particular quilt artist that has inspired you, or a book, or is this something you've figured out all on your own? I've always wanted to do something like that but don't really know how to even begin! Musicmaker
I too, am awed.. and more than a little curious as to just how you did that! There is a picture I have that I've always wanted to do that too, but I never did figure it out or find just the right resource.
I posted how it did it back when I started; here's re-cap..
(tedious trial & errors steps snipped)
I manipulated the picture with Adobe Photo Elements using the "Cutout" tool with a "levels" adjustment of 5, which gave me exactly 5 gradations of darkness. The image is still very faithful to my beautiful little girl, quite practical for hand applique, and I still can add a level at the top & bottom for the lightest/darkest the ghost layer. If you wanted to do fusible raw-edge; you could use more levels and more intricate edges; but for this needleturn and *this* photo, 5 seems to be just fine.
This was the key -- I didn't have to figure out how to abtract all the gradual shadings into different "value" levels I could sew-- the Photo Elements did it for me.
Then I put the picture in Printmaster and made it 3x3 pieces of paper big; and printed it on 9 sheets.
I transferred it with a Sharpie on clear plastic. I used report covers & sheet protectors cause they were stiffer than overhead projector sheets I had. Then I use the clear pattern with a light box to mark the fabric; and then use it on top of the fabric to get the placement perfect for needleturn.
susan kraterfield see my quilts: members.cox.net/kratersge
I posted how it did it back when I started; here's re-cap..
(tedious trial & errors steps snipped)
I manipulated the picture with Adobe Photo Elements using the "Cutout" tool with a "levels" adjustment of 5, which gave me exactly 5 gradations of darkness. The image is still very faithful to my beautiful little girl, quite practical for hand applique, and I still can add a level at the top & bottom for the lightest/darkest the ghost layer. If you wanted to do fusible raw-edge; you could use more levels and more intricate edges; but for this needleturn and *this* photo, 5 seems to be just fine.
This was the key -- I didn't have to figure out how to abtract all the gradual shadings into different "value" levels I could sew-- the Photo Elements did it for me.
Then I put the picture in Printmaster and made it 3x3 pieces of paper big; and printed it on 9 sheets.
I transferred it with a Sharpie on clear plastic. I used report covers & sheet protectors cause they were stiffer than overhead projector sheets I had. Then I use the clear pattern with a light box to mark the fabric; and then use it on top of the fabric to get the placement perfect for needleturn.
susan kraterfield see my quilts: members.cox.net/kratersge
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