I know from the teachings of my betters that I am very much mistaken, but.....
why don't the different size jaw sets of my chucks overlap so my tenons won't always fall into the gap?
why do I seem to cut easier and get smoother surfaces when I speed up the lathe spindle when I've been told that slow is just as efficient as fast?
why does worn out sandpaper seem to make a fair finish?
why do my non-turning friends, including several recognized artists, prefer shiny bowls instead of proper muted grain and why aren't they thrilled with bark edges?
why aren't people obsessed with the perfect form, thin walls and fine bottoms?
why does my mineral oil finish appear to be dry when I know it can't be?
why does jelly wax and kitchen oil seem to produce about the same finish as expensive waxes and oils with strange sounding names?
why can't I understand that the turning of wood is a serious, almost holy calling, levity is a sin and to aspire for anything less than absolute and total perfection leads to excommunication?
why do the great pieces I see in instant galleries often leave me a little depressed while I view average work with avid enthusiasm and satisfaction?
why is confession so good for the soul of a misguided woodturner?
why not confess your own mistaken ideas that somehow seem workable?
Arch
Fortiter,