I've been working on a couple of pieces. Finished one, the other is in work. A Seagull and a Pelican respectively. in looking at the light blue Kreinik blending filament I picked up yesterday, it seemed like it might be nice to highlight ever so slightly some areas of the distant waterline. But it's been a while (and will be probably October) before I can get down to the beach and in my minds eye, I can't quite decide the best way to do this aesthetically. Some of my prints around the house (Talbot) give me some ideas.
my first thought was to highlight the already lighter areas - but my memory of wavy-but-not-choppy waters actually makes me think of how in the smoother areas of the water (that is, neither dark, deep troughs nor crests or breakers) one would often see the glint of the sun. This would mean that what little highlighting I do - would be in the parts of the design that have the medium aqua tones. So... being that I'm not an artist, IMO, what makes the most sense to you?
water does not dominate these images so it would be subtle but I think it would brighten the pieces just a tad. They are otherwise made up of very neutral colors on Aida with an undyed linen-look to it.
of course, I'll experiment myself but wondering if the artists here would have more practiced insight.
ta muchly, k