Some Enabling and Stithcin' Hello (long)

Feb 26, 2008 18 Replies

Hi all,



So, thought I'd say some hellos, and some stitchin' conversation.



First, the boss brought back form Nashville a lot of these - I find them, well, er, interesting. Haven't seen many comments - so thought I'd share the link and see the feedback. The Mermaid's Folly - I immediately thought of Sue H - plus the chart is broken apart so there are IIRC 3 small subsections, or the huge, big one. It's a bit reminiscent of the Ink Circles "Cirque des Cirques" in color, but pretty cool. The other large one with the 3 women also has a couple of sub-charts (do either the right pair or left pair). It's an interesting collection - the styles are all over the place. Comments? It's been interesting seeing how different stitchers react to these designs.

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hmm, also - my latest projects. Just about to start this, the newest Needleprint release, the Amager Panel:
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's very cool, full of all kinds of animals within the design, and littlepeople shapes. The chart also has some old postcard images on the interior.Anyhow, the shop owner finds anything with horses in it, or dogs, for me todo. So, I'm doing this for the shop, but eventually it will come home tolive in the dining room (which has some quirky days of the raj victoriantapestry fabric that includes cheetahs, monkeys, leopards, birds, etc).Doing the piece on 32 ct new PTP fabric - gorgeous green called "swamp" -the name doesn't do it justice. In a Thread Gatherer Silk'n Color "AutumnLeaves" #207
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(though the skeins I have are more subtle)Of course, Donna here is laughing at how many projects I have, and at ourThursday stitch-in (morning before the shop opens) the boss announcing I wasgoing to do this...... What else - oh, I'm teaching 3 classes. One in process: Gayle, by Orna Willis - a fun canvas piece. I'm doing it in "Blossom" . This one, we are using the new ThreadWorx stuff in place of Needle Necessities. So far so good. The class is a great group - and are hating like crazy working through the interior of the big circles (Jessicas surrounding a weave of Neon Rays ribbon). I will say, doing those woven Neon Rays bits is really, really, deceptively difficult. Lots of threads -



13 others besides the THreadWorx overdye - metallics, trebizond (silk), rayon, and some variations.

Getting ready to start this biggie - it's going to be an 8 month class - meeting once a month (likely with some get-togethers along the way. First class Mar 9, so I'm starting the first section for demo now - having to stay a quadrant ahead of the class...."Twister" by Patricia Spencer. We're doing it on 24ct Congress Cloth, mine is in Needlepoint silk, purples (8 shades) and greens (7 shades) - with a deep Iris blue/purple as the "punch" color.

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piece itself is 13.5" X 13.5" (on 18" stretchers). On canvas - it washuge. One of our local stitchers did it herself, and said it took 6 months,so we figured an 8 month class would be fun - and hopefully we'll all bedone for the holidays next winter. Some of my class for the last piece I taught- Debbee's Design's "Motif Madness" put theirs in as a class showing for Woodlawn. I came up with 4 different colorways (instead of the peppermint of the original) and they look really nice. I'll put some pix up on RCTNP soon (we have them in Earth Tones, Jewel Tones, and Christmas colors).
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finally, doing a class to help some folks make the step from Aida tostitching on linen, or become more comfortable with stitching on linen orevenweave. I did this once using a cute Victoria Sampler little sachet"Chives" . This time, doing Elizabeth's Designs Pastel Alphabet Sampler,but on 28 ct Country French Cappucino (instead of the darker 32 ct of thesample). That was going last week, but postponed due to illness and work.http://www.elizabethsdesigns.com/ (you have to scroll down under largecharts to find it. I did an original design for a frameweight class, and bribed Donna into taking it - so we learned some "new" stitches in that - which was fun. And I totally screwed up with part of the chart in a Murphy's law thing. Updated my Adobe Illustrator, and it turned out I had forgotten to move my stitch diagrams into the normal filing system, and they were in a folder with the old AI version, and hence with the update, ended up "lost". So, my DH stayed up all night, and redid the main color chart...with diagrams. And now, well, I owe the class the new, complete design booklet. But, I was thrilled to actually have found a stitch that some experienced stitchers hadn't used before - "Triple Encroaching Cross Stitch" .



But of course, as the WIPs go, I'm still trying to finish my Drawn Thread "Wisdom" sampler - it's been on the back burner. And finishing a baby piece,

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the girl version, whole thing on a lovely pale purple fabric - notdoing the inset thing. And in Crescent Colors (love those threads).I think the fabric is either Meditation or French Lilac, more PTP, but itlooks like this:
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finally, also WIP, from "Der Feine Faden" " Old McDonald Had a Farm" ,which you can see here:
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on the WDW "Linen" linen, 30 ct, in some nice Brown Silk'nColors.Something about these horse motifs - and my vicarious life.Well, it's been fun catching up on the RCTN reading - glad to see it seemsfolks are doing well, and stitchin' away. I'll try not to bore everyone. Going to be manning the "demo" room at Woodlawn a couple of days, and I do believe that Donna is joining me (we're gluttons for punishment). We hear the show is larger this year than the past couple -so that's good.



Ellice in NoVA


"ellice" wrote

Thanks for these Dawne

Thanks for the comments, Dawne. I really like the Maiden's Fair as well. The Lara one is very reminiscent of "Dr Zhivago" . We've sold a handful, and it's been great fun putting together some interesting fabrics for these. I think someone is doing the scarey Knightmare on a deep grey spooky overdyed fabric. Someone else doing the Peacock on "Mello" from PTP, but with gorgeous overdyed silks - only 2 colors and a metallic for some fun. We sent the Bird of Paradise to one of our sample stitchers, and it'll be interesting to see how it looks when it comes back - I've forgotten the colors we sent. The designs certainly are distinctive - and have some real variety in style.

Ellice

I really like these charts, and yes, especially the "Mermaid's Folly." But the others are also lovely. Someone had posted the pelican one last week, and I really liked it then. Glad to see the rest of this designer's line.

Thanks for posting, Ellice, and stop in more often! (Then again, I don't know if I can *afford* to have you stop in more often....)

Sue

thanks for the links--added them to my favorites. Really liked the Twister Design..

I have been in your shop and was amazed at the amount of stuff in such a small space...lovely things to look at and drool over...

Panel:

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> It's very cool, full of all kinds of animals within the design, and little> people shapes. The chart also has some old postcard images on the interior.> Anyhow, the shop owner finds anything with horses in it, or dogs, for me to> do. So, I'm doing this for the shop, but eventually it will come home to> live in the dining room (which has some quirky days of the raj victorian> tapestry fabric that includes cheetahs, monkeys, leopards, birds, etc).> Doing the piece on 32 ct new PTP fabric - gorgeous green called "swamp" -> the name doesn't do it justice. In a Thread Gatherer Silk'n Color "Autumn > Leaves"#207
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the skeins I have are more subtle)>> Of course, Donna here is laughing at how many projects I have, and at our> Thursday stitch-in (morning before the shop opens) the boss announcing I was> going to do this......>

color.http://tinyurl.com/2jyweu>> The piece itself is 13.5" X 13.5" (on 18" stretchers). On canvas - it was> huge. One of our local stitchers did it herself, and said it took 6 months,> so we figured an 8 month class would be fun - and hopefully we'll all be> done for the holidays next winter.>

Those are really interesting pieces. I like all the birds, but that Knightmare really caught my eye. It looks like a cross between a cathedral gargoyle and an effigy from a knight's tomb. I know someone who'd enjoy that piece, too. It might be an excellent birthday present.

Louisa

ellice, I'm intrigued by the handiclamps you mentioned in a post. I recently returned an Edmunds scroll frame that was advertised as being simple to attach fabric to (ugh ... what a sentence!!!!) I couldn't get the dowels back into the side array once fabric was inserted.

Has anyone else used them? Might they fall prey to same disease Qsnaps succumb to with the clamp thingies loosening over time?

You're welcome. It really is stunning when finished, but I think is one of those acts of patience. Hence, the reason to do is as a long class.

LOL - the biggest thing I did when I started working there is get as much as possible off the floor. Shop is really full of stuff - for a while we were thinking of suspending things in doorways -but fortunately that hasn't happened. Glad you liked it - I try to move stuff around a bit so that things get seen - since it is a bit, er, "stuffed" . Come and visit - and ccertainly feel free to come and stitch...

Ellice

I totally thought of you when I saw it. Especially knowing your penchant for big projects. Sara Leigh said the models were stunning.

Hey, I won't do so much enabling on a regular basis.... Back to normal chat

- more or less - if one can say that here. Besides - you have Sittching Post so close for enabling (and my card is about full, too)

Ellice

Yup, they are definitely interesting. My informal survey is people either really are caught by them - in the positive "oooh & aaah" or totally dislike them - with view in the middle. Not so often that needlework charts bring about such strong polar kind of reactions. I'm used to a lot of "it's nice but not calling to me" from people.

Your knightmare description is pretty accurate - though the shape of the face looks kind of like a duck head. It has certainly had us finding some cool fabric/thread combinations.

Ellice

They're nice to use. I think the Edmunds frames are a more, er, economical, alternative. The shop owner really likes scroll rods, so we have a bunch of them from different places - the ones with special velcro, the ones with the slots that are held together with elastic bands, the standard ones that come with the Lap frames - and have the very heavy fabric, and these Handi-Clamps. So far, no issues with the Handi-Clamps.

That said, WRT Q-snap loosening, and these, we have some of the rubbermaid grippy open-weave looking shelf-lines. You can put a strip of that inside the Q-snap cover (between clamp and fabric) and it will HOLD tight. We actually keep some in the shop, and folks with older Q-snaps who have the loosening problem, have used it with success. Personally, I've not had that problem with any of my Q-snaps, but then again, I rotate around, and tend to loosen (rotate the covers inward) mine when I'm not stitchin. And, I also am not a stitcher that stretches fabric overly tight. But, I've seen plenty of the stretched out covers.

Anyhow, I've had a set of the handi-clamps which I had up in the shop as I stitched a Kit'nBixby Halloween thing for months. So far so good. The diameter of the wood rods seems to be slightly less than the PVC snaps inners - so maybe that helpss. So far, we haven't had any customers with the loosening problem on the handi-clamps, but that doesn't mean it won't happen!

I think Donna may have some as well - but won't swear to it.

Ellice

I haven't experimented with the handi-clamps yet. Other things moved ahead of Martina Dey's Tsunami Charity sampler in the queu. The clamps are still in the package. Oh well.

But other solution that used to go around for loose Q-snaps is put the clamp piece in the top rack of a dishwasher. I've never had to try it, but know people who swear it worked.

Donna in Virginia

I totally disliked them, except for Lara which I find enchanting and Knightmare which is intriguing. The others leave me cold, but that's ok.

Elizabeth

I really like Lara and there is an Art Deco piece I like.

C

Pweaonally, I'm probably most in agreement with Elizabeth. I like the Lara piece. The Knightmare is definitely intriquing - but I'm waiting to see one done - it looks kind of creepy to me. I think you're thinking of the 3 Maidens, which I thought was kind of charming, as well - similar in look to the Lara piece. The Mermaid's Folly - the close-up picture looks quite historical - as in the grotesques of the faces in the picture (not the mermaid). For the rest - well, they really did nothing for me, but, hey - I'm not the shop owner, so I didn't buy'em.

I'm waiting to see the ones that look like the sketches done from a 10-20 minute pose in a figure drawing class. The designer gave out photos - the charts weren't ready. I just looked at my boss and shrugged - heck, my own stuff from art class looks better than these, and I would never consider charting them. However, her reply to my shrug/comment was "well, some people like nudes - so we'll see." Some definitely interesting stuff out there. As with our reading, just showes we all have different tastes.

Ellice - who appreciates the comments

I agree with Elizabeth on these designs. I don't really care for the color or the style. They were all rather depressing to me.

There was something oddly familiar about Three Maidens and I finally realized they reminded me of the queens and ladies in the Wizard of Oz books (not the first one, but the other 6 or 7 of them), the ones with John R. Neill as the illustrator. *Very* similar in style.

Joan

Hmm, interesting catch. We were talking about this in the shop yesterday. I told the owner about my "informal" survey. We've definitely concluded it's a bathtub curve. People tend to really like them, really dislike them with a few in the middle who kind of like some, kind of dislike some.

One of the hardest things in the shop with ordering is remembering that it's for our customers, not ourselves. So, sometimes I have to force the boss to order something that is definitely not her style, but I'm sure will sell - and usually it works. OTOH, things neither of us like at all (poorly done, redundant, etc) we just don't get. If I really, really, dislike something - she may not get it, but if it's a quirky thing that she really like it'll still come. There's one designer that we have tons of stuff from - not depressing - just a bit quirky - that the boss loves - and for the most part, only she and 1 of the regulars that is a friend of hers - stitch any of them. So, I'm prone to joking about us being the Western Hemisphere distributor for said designer. And sure enough, while we have a lot of this stuff - doesn't she come home with a bunch more from Nashville.

We've sold several of these Courtney Collection pieces; personally, I think that the rest will be with us for quite a while - or at least until a stitched sample appears and looks really good.

Ellice

Whereas I loved them, as did a friend who saw them at the LNS. THe shop=owner is ordering them for us (and a few extra.) I'm getting Knightmare, Lara, Three Maidens and Pelican. I think I need a whole box of Needlepoint Silk (black) too!

Alison

LOL - that's exactly, and I mean exactly, the group that one of my regulars bought....

Ellice

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