I didn't want to hijack Sandy's thread, so this little separate one is just to say thank you for all the kind and appreciative words that have been said about my book. I have had more encouragement and support from this group than anywhere, and I really am most grateful. I'm not the most confident person in the world, so it means a great deal to me.
I am pretty sure there will not be another book >gg<
Pat, I wouldn't have minded a bit if you'd hijacked that thread -- it was about your quilt design, after all! The only problem with your magazine articles is that most of us won't be able to read them! :( Still, I know you'll have a grand time writing them, and there won't be nearly the pressure and frustration that you had to deal with in writing your book. :)
Dearest Pat, I certainly hope you have taken to heart what everyone has said about your very clear and concise and well organized content in the book. That's such a plus in addition to the eye candy! I usually thumb thru a book looking at the photos of the projects- and am often disappointed when I start reading. Your wonderful book is just perfect!
Brace yourself, Tutu..... here goes! LOL
Leslie- Your Biggest Fan & Your Niece and Nephews of The Furbaby variety
Thanks ever so much Ginger. I'll get on to my publisher (who will get on to his US agent). That's very pleasing if it is accurate! Mind you, the agent might only have sold Amazon one copy >g< We (royal!) have no idea what goes on with these chaps. Please let me know if you have any trouble. He US agent seems to respond to the sweet call of someone waiting >g< . In message , Ginger in CA writes
Pat, my dear, we are not 'being kind', we are being honest and proud that you are one of our own. That is one glorious, gorgeous, exquisite book. Polly
"Patti" Then I'll have to make it 'over there' - couldn't miss that >g<
Well, the editor asked me if I had a mathematical quilt which didn't make it into the book. I had one, so I worked up the patterns and wrote the instructions, so that it could be ready quite quickly! It is an example of translucency - a rectangle folded in half longways, rotated eight times, and the resultant pattern drawn out fully (from an example in a book called Window Patterns by William Gibbs). Many of his examples of 'what happens when ...' are extremely quiltable. I love them and may well do more. The one thing you do need is a set of fabric which has been dyed with graded dilutions, so that you have the 'same' colour, but different intensities - to represent the different colours achieved when one, two, three or four layers of tissue paper, for instance, occur in the design. That all sounds awfully complicated, but, of course, the basic window pattern is already drawn. All I had to do was work out a pattern (and find the fabric as I do *not* do dyeing!!).
Mine was fiendishly difficult to draw, and rather difficult to make. The editor was pleased, as she has been itching to put a 4-star (level of difficulty) in the magazine. The way I made *mine*, certainly would have qualified. HOWever, as I was writing the instructions, I suddenly saw a much more straightforward way of doing it >g< So, it only rated a 3-star!!
The next one will be a miniature Blooming Nine Patch - but that's not ready yet! . In message , Roberta Zollner writes
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