I've been meaning to post this for a bit, but hadn't had time to dig up some photos.
We were lucky last month to see the new production of the Royal Ballet's Sleeping Beauty. It was premiered in London in May, and in the US last month. One of my sons danced in the show and the other was an understudy, so even more luckily, I got to spend one show backstage chaperoning. I have to tell you, the costumes were drop dead amazing, with incredible amounts of handwork. You can see some photos here:
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I don't think you can really see the detail inthe costumes. I always thought that the costumeswere probably the sorts of things that looked fabulousfrom the audience, but didn't stand up to muchscrutiny when you saw them up close. At least inthis case, that
*so* wasn't true. On top of amazingfabrics and construction, there was all sorts ofgorgeous handwork--jewels, embroidery, etc.--allover the place. One of the costume mistressessaid that each of the costumes my son wore were aboutfour or five thousand dollars to make. (And yes,I was an absolute basket case chaperoning eight ornine boys in Very Expensive Costumes.) And thesewere just costumes for the children! I can't evenimagine the amount of time that must have gone intocostuming the entire show. The King and Queen alonehad three different costumes, each more extravagantthan the last. So, lest any of you think that sort of work is vanishing, at the very least it is alive and well at the Royal Ballet's costuming department. I was totally blown away.
Best wishes, Ericka