my design for our guild challenge

I spent about 6 straight hours saturday designing my quilt for our guild challenge "Sunshine and Sunflowers". I positively LOVE this design, and I'm also thrilled with how I ended up converting this portrait for hand applique. Maybe this posting will save someone else some time doing applique portraits.

The design is a portrait of my toddler sitting in a lake au natural with sunflowers ghosted over her a la Katie Masopust. I'm going to use the natural color in the photo; pretty muted; creamy skin tones and rippling water in the background.

I tried using EQ5 to trace over it in both easy draw and patch draw. Gave up. Then I started in manipulating the picture with Adobe Photo Elements. That's the ticket. I eventually found the perfect tool -- "Cutout". There were several adjustments; but the key was the "levels". I picked 5, which gave me exactly 5 gradations of darkness. The image is still very faithful to my beautiful little girl, quite practical for hand applique, and I still have some levels left to go lightest/darkest for the ghost layer. If you wanted to do fusible raw-edge; you could use more levels and more intricate edges; but for this photo, 5 seems to be just fine.

Then I put the picture in Printmaster and made it 3x3 pieces of paper big; and printed it on 9 sheets.

I've been playing around with how to transfer the picture. First I tried putting freezer paper over top of print out; but only the lines between the lightest and darkest areas show up. Then I tried used dressmakers tracing paper to transfer onto freezer paper placed beneath it. But I think the BEST way is to use the transfer paper to put it directly onto fabric. Why bother user freezer paper at all? Why did it take me this long to start using tracing paper? I was reminded of that idea because of re-watching the Dily Fronks episode of Simply Quilts on wrought iron gate applique.

But the real question is when I can get to work sewing it. My promise to myself is to have 1 hand project and 1 machine project at a time. I'm quite a way from finishing the hand quilting on a big stack n whach

-- free form victorian feathers throughout. Can I resist? The challenge deadline is May 1. I think if I'm not done with the Stack n Whack by new years; I may have to postpone it so I can have time to finish this challenge.

susan kraterfield see my quilts: members.cox.net/kratersge

Reply to
kratersge
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Sounds very intriguing! Would you kindly keep a photo journal of each step so we can see? Roberta in D

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Reply to
Roberta Zollner

All I can say is it sounds really lovely. And is inspiring. I've been on & off planning a quilt for my horsey niece - since she was 13 - now is going to be 16 in January. Wanted to base it on some photos I took in KY (there for a needlework seminar), and a portrait of her . The bulk of this has inspired me to pull out the sketches, and start working on it again. No Sunflowers - but definitely in the fields. But your idea sounds really gorgeous.

Thanks for the Photoshop hint. I have a MAC graphics workstation, and use Illustrator a lot for design stuff (I do NP canvases). But, I hadn't gotten my brain around splitting up the horse photos, and her portraits well enough

- and the hand thing - well - it works - but...

Great episode. Sometimes the most straightforward thing is the last thing we think off.

LOL - I have some kind of rule - like how many fine count needlework projects, at least one larger count (28 ct linen) and smaller project, and a couple of knitting projects, and one easy quilting project, and then something seriuos. It's time to start the serious one, again. For this reason - I only machine quilt - I just can't stand the thought of adding to the handwork. And, I do have some garment sewing happening, and that includes hand-work. Then we won't talk about the rest of life. It just seems natural to have projects that require different attention, energy, eyesight to work on at the same time.

Thanks for sharing, Ellice in NoVa

Reply to
ellice

I really want to see this through the stages. I can just sort of mentally glimpse the process so far and I'm intrigued. From the looks of your previous work, you have more than enough skill and talent to carry it off beautifully.

Sunny

kratersge wrote:

Reply to
Sunny

This sounds like a really great quilt, Susan! I'll be anxious to see it. :)

Reply to
Sandy Foster

I've gotten just enough sewn that you can sew the heck it is I'm doing. I'm real pleased. Come see in webshots. The shears are for scale; in case you wondered.

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Sewing this is actually nerve wracking. I'm so tense about getting every single shape just exactly the right shade -- getting every piece just exactly the right shape -- and placed in exactly the right spot.

susan kraterfield see my quilts: members.cox.net/kratersge

Reply to
kratersge

Wow, you're doing a great job so far! But I sure can understand how nerve-wracking a project like this might be. Keep up the good work!

Karen, Queen of Squishies

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Reply to
Karen, Queen of Squishies

Susan, this is a real winner. What a beautiful subject to work with, and you are doing an incredible job. Relax. You obviously have not just great skills but also plenty of artistic sensibility. Trust yourself; this is going to be an amazing quilt.

Sunny

kratersge wrote:

Reply to
Sunny

Pretty amazing! Thanks for the view -can't wait to see more progress! Roberta in D

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Reply to
Roberta Zollner

WOW!!! That's fantastic!!

Reply to
maryd

Wow! This is great! And I love the whole picture -- cute!

I tried something similar, years ago, in a paper collage, glued, not sewn. It drove me crazy until I turned everything upside down and concentrated only on shapes and color. Once I eliminated the idea of how something "should" look like, it became more of a fun puzzle.

René

Reply to
René

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